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Body Paragraph (Analysis)

Page Author: Eamon Cunningham


The analysis is the paragraph-level discussion of why or how the provided evidence is relevant to the paper’s controlling interpretation or argument. Analysis is an extension of the evidence that creates a link between the words of the sources, the author’s own insights on the topic, and the essay’s controlling ideas. It should provide answers to the paper’s central questions and also reflect the demands of the writing assignment. Analysis requires the writer to draw on critical thinking skills such as remembering, understanding, reflecting, analyzing, and synthesizing.

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Generating Analysis


Contents

Considerations


Analysis looks at how a text conveys its main idea in order to form a judgment or interpretation of it. Assignments calling for an analysis of evidence vary widely, but they usually ask the writer to look at how the text's parts contribute to its central argument or purpose, often with the aim of evaluating its evidence or overall effect. When a writer analyzes evidence, the main intention is to communicate what the evidence means and why it matters in the context of the paper’s bigger arguments. The following are the central considerations a most writers should consider as they generate analysis in the body paragraphs:

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Posing Critical Questions


Writers can help generate analysis by posing critical questions to the evidence. The answer to these questions typically forms the basis of the analysis. While the prompt and the selected evidence will determine the eventual direction the analysis will go, the following questions are a useful starting point:

Analysis

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Argument

Writers can pose variations on these questions to match the character and content of the text in their hands, but these are generally considered to be a good starting point since their answers lead to an interpretation or a judgment of a text rather than to a summary.

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Integration Methods


Lead-In Phrasing

Integrating analysis requires a special type of transition - often in the form of a verb - to purposefully mark the changeover from the evidence to the analysis. The way a writer determines which phrases to use depends on the quote and how they plan to explain it. Writers who can accurately capture the link between evidence and analysis with a well-chosen transition do two important things: 1) they let the reader know how the quote is operating, while 2) providing a bit more information about why it is important.

Implies

The verb indicates the source presents information tentatively or skeptically.

Signal Verbs
Hints
Indicates
Offers
Point towards
Proposes
Suggests

Concludes

The verb indicates the source draws a point of discussion to a close.

Signal Verbs
Completes
Concludes
Decides
Determines
Resolves
Settles

Continues

The verb indicates the writer is making repeated references to a source.

Signal Verbs
Adds
Builds
Expands
Extends
Goes on to say
States further

States Erroneously

The verb indicates the source makes a statement that the writer is skeptical of.

Signal Verbs
Alleges
Asserts
Assumes
Charges
Contends
Declares

Argues Against

The verb indicates that the source is responding critically to the writer’s own position.

Signal Verbs
Attacks
Contradicts
Denies
Differs
Disagrees
Refutes

Argues in Favor

The verb indicates that the source is being used as supporting evidence.

Signal Verbs
Argues
Asserts
Contends
Holds
Indicates
Maintains

Says

The verb introduces the quotation as information.

Signal Verbs
Adds
Believes
Comments
Described
Discusses
Emphasizes

Agrees

The verb indicates that the source agrees with another source or the writer’s own position.

Signal Verbs
Adds
Believes
Comments
Describes
Discusses
Emphasizes

Concedes

The verb indicates that writer acknowledges that a conflicting point is valid.

Signal Verbs
Acknowledges
Admits
Agrees
Allows
Grants
Recognizes

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Developing the Interpretation


“So What?” Question

The central concern for a writer when expressing their analysis is the answer to this question: “why does this quote matter and how is it working towards the overall purpose I’ve identified in my thesis?” This is sometimes referred to as the “So what?” question and it is a crucial part of the body paragraph. A well-written explanation should show readers how the writer arrived at their interpretation and why this analysis is reasonable. Readers may not always agree with interpretation, but if a writer cannot persuade them to accept the analysis, they should still try to convince readers that their take on the subject is insightful and well considered. “So what?” questions range depending on the given text, but below are some considerations that will generally push the writer in the right direction:

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Analysis:

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Argument

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During the drafting process, writers are likely to generate more reasons than can possibly be used. If this occurs, it is recommended to still try to generate as many potential reasons as possible, taking care not to rule out any at first, no matter how trivial or ridiculous they might seem. Once the writer generates a substantial list of potential reasons, it’s best to then select the ones that are most directly related to the paper’s interpretation and include those most likely to convince readers that the analysis is sound.

Common Errors


Summary vs. Analysis

A common error in analysis is the substitution of summary for analysis. Summary places its primary focus on what the quote “says” whereas analysis places its emphasis on what the “does” for the thesis. A summary is something that's superficial—it doesn't go into depth and most just recaps what the quote says. An analysis, on the other hand, has depth: it goes into detail and discusses how the evidence relates to the interpretation/argument. Writers can ask themselves some of the following questions when editing to determine if summarizing or analyzing a piece of evidence during editing: “Do I have connections between my interpretation/argument and what this piece of evidence says? Or am I just reiterating the quote in my own words?”

Summary vs. Analysis: After she is picked, Tessie says. "It wasn't fair." This shows that she doesn't think the lottery was selected honestly.

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Lack of Development

A common error in analysis is providing only a single sentence of analysis. For most writers, the thinking goes that there should be one quote and an equal-and-opposite sentence of follow up to give the paper balance and symmetry. It's important to ensure that each quotation gets more than a single sentence of discussion in the paper's body paragraph. Typically, a single sentence will struggle to communicate the full significance of the evidence and, often, the effect on readers is that there is a potentially interesting point that gets moved away from too quickly. In most cases, a writer is likely to take 2-4 sentences to communicate the ideas. A reader is likely not to understand on their own why evidence matters or what they should take away from it without the writer helping them see their reasoning.

Single Sentence: In his story “Snapping an Iconic Photo,” Nardo writes “my eyes were glued to the wet and gleaming highway that stretched out ahead.” This shows that the author wanted to emphasize how the character is feeling.

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Announcing Without Justifying

A common error in analysis is to make a claim about the quote's effect while not explaining why this view is sensible or why the writer believes this to be the case. This issue often overlaps with the “sentence” error and leads to a superficial analysis that does When editing, questions like: "Did I give enough reasons to back up my main idea in the topic sentence?" and "Am I providing evidence that supports those reasons?" If a writer can't answer yes to both of these questions, then it's likely that the analysis needs more development. The best way to fully develop an argument is to think about the questions “why does this matter?” and “how can I explain my thinking to the reader?”

Announcing Without Justifying: In paragraph 1, it says, "it was a bright cold day in April and the clocks were striking thirteen." This shows that the author is creating a threatening mood.

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Quick Navigation

Last Edited by

Eamon Cunningham (5 Feb 2024)

Introduction

Attention-Grabber

Context

Thesis Statement

Body Paragraphs

Topic Sentence

Evidence

Analysis

Transitions

Conclusion

Conclusion


© Eamon Cunningham, 2023, 2024

Refutations in Persuasive Writing


Refutations in persuasive writing are crucial for addressing and countering opposing viewpoints. Effective argumentation involves not only presenting one's stance but also recognizing, engaging with, and challenging contrary opinions. This process requires a careful balance, ensuring that counterarguments are not trivialized or misrepresented. Engaging with opposing views demonstrates an openness to dialogue and can strengthen the persuasiveness of an argument. Refutations typically follow three general forms: concession, rejection, or denial, each serving different rhetorical purposes and strategies.

Concession


A concession in persuasive writing acknowledges the validity of a point made by the opposition. This strategy involves admitting that an opposing argument has merit, even if one does not fully agree with it. Concessions are a sign of intellectual honesty and can create goodwill among readers by showing that the writer has considered multiple viewpoints. By integrating concessions, writers demonstrate a nuanced understanding of the issue at hand, contributing to a more balanced and persuasive argument.

Example:

“The title of my talk is ‘Two Cheers for Examination’. Why not three cheers? Because I know that there are drawbacks to examinations. Examinations can indeed deal in trivia, they can be badly conceived and thus can cause needles anxiety in the student who struggle to make sense out of poorly written and poorly focused questions. Most damaging of all, perhaps, is the fact that professors are human beings and therefore will sometimes grade examinations unfairly…I confess that I often found grading to be a tedious job, but I must also add that examinations were often a learning experience for me as well for the students.”

Explanation:

While advocating for the educational advantages of conventional testing methods, Joy Alonso acknowledges the limitations of her stance by pointing out that inadequately designed exams fail to measure student learning accurately, the inevitability of human error, and the monotony involved in grading. It is important to observe how Alonso effectively shifts from acknowledging these shortcomings to reaffirming her support for examinations in her concluding remarks.

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Rejection


Rejection involves dismissing the legitimacy of a counterargument, often by illustrating its flaws or demonstrating its incompatibility with the writer’s thesis. While acknowledging the existence of the counterargument, this approach does not concede any merit to it. Instead, it systematically dismantles the opposing view through logical reasoning, evidence, or highlighting inconsistencies. Rejections are typically structured through the strategic use of transitional phrases to smoothly counter the opposing argument while reinforcing the writer’s stance.

Example:

“Opponents of the death penalty, for example, are forever insisting that executing a murderer will not bring back his victim…but torture, in the cases described, is intended not to bring anyone back but to keep innocents from being dispatched…If the individual is all that important – and he is – it is correspondingly important to protect the rights of the individual threatened by terrorists.”

Explanation:

Michael Levin openly recognizes the opposing viewpoint with a straightforward declaration. He employs a strategy of differentiation and reasoning, using contrasts to delineate the distinctions between capital punishment and torture, and employs logical arguments to suggest that valuing an individual necessitates a commitment to safeguarding that individual's rights. This forms the basis of his rejection of the anti-torture stance, categorizing it as unfounded. Levin's approach exemplifies a rejection tactic; he refrains from acknowledging any merit in the counterargument, citing a fundamental disagreement with its core premise. He argues that in the context of terrorism, a proactive approach through the use of torture is more effective in preserving lives than the retrospective application of capital punishment.

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Denial


Denial in persuasive writing goes beyond mere rejection by refusing to acknowledge the legitimacy of the counterargument entirely. This approach argues that the opposing viewpoint lacks a valid basis for consideration, thus eliminating the need for direct engagement. While potentially powerful if successfully executed, denials risk being perceived as dogmatic or dismissive, as they close off dialogue by not entertaining the possibility of valid opposition. Effective use of denial requires a strong evidentiary foundation and careful rhetorical skill to persuade without alienating the audience.

Example:

“The assumption of no supernatural input into the universe is unscientific. At best, it is unfounded, impossible of proof, and religious to the extreme. The basic assumption of modern evolutionary theory is that no Supernatural Being has ever been involved in this universe. The basic definition of science even has been changed to imply Naturalism. If there is no Creator, there is no creation, and teaching creation is folly. Furthermore, the claim that creation is religious implies that teaching it would violate the "establishment clause" in the Constitution. Beyond that, the claim that creation ideas have been disproved by science implies it would be a waste of valuable classroom time to teach it. The claim that only evolution is scientific is patently false.”

Explanation:

The author challenges the prevailing scientific consensus that evolution is the definitive theory for the origins of human life. In his critique, he accuses proponents of evolution of employing a logical fallacy that dismisses Creationism by default, essentially arguing, "Since the existence of God cannot be scientifically verified, He must not exist, and therefore, human origins must be attributed to natural processes alone." He elaborates on this point by contesting the underlying premise of modern evolutionary theory, which assumes the absence of any divine intervention in the universe and suggests that the definition of science has been altered to exclude supernatural explanations. By questioning these foundational assumptions, Morris outright rejects the entire basis of evolutionary theory, challenging its exclusion of supernatural considerations.

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